Local Book Promotion Options -- Part 2

In Local Book Promotion Options -- Part 1, I explained why authors and publishers who are promoting their books on a national level should include local media outlets as part of their book publicity campaign. For example, a Newton, Massachusetts-based author who reaches out to national TV shows and is lucky enough to get an invitation to appear on, say, "Good Morning America," should still pitch local media outlets (the "Newton Tab," which is a community newspaper with a Newton, Massachusetts readership, for example), local radio stations (in this case, WNTN which is based in Newton), and the community newspapers and radio stations in surrounding cities and towns (such as, in this example, Arlington, Cambridge, Concord, Lexington, Weston, and others).

But you can take that a step further. Besides pitching media outlets that are local to where you live as part of your book promotion efforts, you can also pitch the community newspapers, and radio and television stations, in any other cities and towns where you have (or have had) strong ties: where you were born and raised, where you went to school, where you work, where your family lives, and so forth. So if you're currently living in Newton, Massachusetts but you were born in Seattle, you went to school in Los Angeles, your first job was in Houston, and your parents are living in Miami ... you have four new sets of local media outlets, beyond the Newton, Massachusetts media outlets, to contact and incorporate into your book promotion plans.

To that list, you can add any cities or towns you happen to be visiting. So if business meetings take you from the Boston, Massachusetts area to four other cities on the Eastern Seaboard, factor the local media outlets in the "tour cities" into your book promotion plans, too. Emphasize the local news hook -- when you'll be in town, what you'll be doing when you're there, and how your expertise can tie into the events that are happening there or the controversies that are unfolding or the politics of the area.

After a "Good Morning America" appearance, it may seem lackluster to find yourself appearing on local radio shows or being interviewed by weekly newspaper reporters. But every interview you do adds to your portfolio and reaches a new audience, so no media outlet is "too small" or "too insignificant" to be a worthwhile component of your book promotion campaign.

And, after all, local media outlets are seeking local media news hooks and local story angles which you know you can provide. So why not give the media what it needs? It will benefit your book publicity efforts and become part of your sustained book promotion campaign.

Stacey J. Miller is an online book promotion specialist and founder of S. J. Miller Communications. Visit her at www.bookpr.com (connecting with her on Facebook or Twitter is strictly optional).

Local Book Promotion Options -- Part 1

You're looking for book publicity opportunities, with or without the help of a book publicist. What do you do?

Do you stick with national media outlets, or do you also pitch your book and your messages to local media outlets?

So many media outlets have a national audience these days. Radio shows that are streamed online can be heard by anyone in the country, and articles can be read by anyone in the world even when the article is originally printed in a local newspaper or magazine as long as that media outlet has a web presence ... and nearly every newspaper and magazine does have an online counterpart so their readership expands far beyond the areas you'd expect.

That said, media decision makers -- particularly, community newspaper editors -- still search for local stories. So while you're seeking national media attention, don't overlook the obvious: reaching out to weekly newspapers in your area in addition to pitching the daily (or larger) newspapers that cover your media market. You haven't covered all the author promotion possibilities until you've reached out to the local media in your area and let them know you are available for interviews and your book is available for review.

For example, let's say you're an author who's based in Newton, Massachusetts. Of course, you'll contact the editors at the daily newspapers in Boston, Massachusetts and the surrounding areas. You'll contact editors at the Boston Globe and the Boston Herald and let them know about your story idea. You'll probably also reach out to the Worcester Telegram & Gazette (a large daily newspaper in Central Massachusetts), the Patriot Ledger (a top daily newspaper in Southern Massachusetts) and the Boston Phoenix (a weekly Boston-based entertainment and arts newspaper) as a matter of course.

But, if you're a Newton, Massachusetts-based author, don't bypass other print book promotion opportunities in the Boston area -- specifically, in Newton, Massachusetts -- just because they're smaller media outlets. For example, be sure to put The Newton Tab's and Newton Living Magazine editors on your contact list.

Beyond local print media, you'll also want to contact the New England Cable News TV network which is based in Newton, Massachusetts, WNTN-AM (which, again, is based in Newton, Massachusetts), and more along with the Boston radio stations (among them, WBZ-AM and WRKO-AM which have a national listening audience although they still are local radio stations) and the Boston network affiliate TV statons including WBZ-TV, WCVB-TV, WCBS-TV, WFXT-TV (Boston's Fox TV station), WSBK-TV and WLVI-TV (Boston's two independent TV stations), and others.

You can also contact small community newspapers associated with other nearby cities in Massachusetts: Cambridge, Brighton, Brookline, Arlington, Concord, Lexington, Quincy, Massachusetts ... well, you get the idea. If there's a city near where you live, that city has its own local newspapers, and it probably has its own radio station. And maybe it also has its own local cable television station, too.

So, when you're seeking national book promotion opportunities, think local. You'll have an obvious news hook, and you can leverage the fact that you know what's going on where you live and can address happenings (in this case, for example, in Newton, Massachusetts). Because you're a local author (local to somewhere in the country, if not Newton, Massachusetts), you'll most likely know the local media outlets off the top of your head and be able to reach out to them directly with appropriate story pitches -- or, at least, you'll be able to make sure your book publicist has reached out to all of the local media outlets. Never assume your local book publicist has all the media bases covered. Just be sure you have a list of all of the media outlets to which you can pitch a local media story, and don't leave out a single one. Each book promotion opportunity you garner, big or small, is another step on your path to maximum visibility for your book and your messages.


Stacey J. Miller is a book promotion specialist and founder of Greater Boston, Massachusetts-based S. J. Miller Communications. Visit her at www.bookpr.com.

Book Promotion Is a Crummy Investment, But It’s an Excellent Opportunity

A book promotion campaign represents a dubious expenditure if your sole goal is to sell a sufficient number of books to pay for the book promotion campaign and then to move enough additional books to turn a profit. Although there is a relationship between book promotion and book sales, that connection is highly unpredictable. You can't say with any degree of certainty, "If I invest X in my book promotion campaign, I'll see a boost of Y in book sales." The only dependable expression of the link between book publicity and book sales, unfortunately, is a negative one: if you don't promote your book, then you'll probably sell no books because nobody will know about it.

A book promotion campaign may help you sell books if you can get yourself in front of the right potential book buyers, in the right ways, and at the right times. Then your messages must be relevant and compelling. The solutions you offer must be credible, or you have to be really entertaining (or you have to know somebody who is). Potential readers have to learn (and remember) your name and your book's title, and your book must be readily, and continually, available where your intended readers can find and buy it. Your book also has to be worth its price, and it has to inspire buyers to tell other potential readers about it. All of that can happen. In other words, a book promotion might pay off in increased book sales, or at least in one or more short-term book sales spikes. But, in order for that to happen, a lot of variables have to fall into place. You have to be lucky, and the stars have to line up for you and, even then, you won't be able to replicate the experience every time you publish a new book. Few authors catch lightning in a bottle twice because there's nothing scientific about the relationship between a book publicity campaign and an increase in the number of books that you sell.

That said, book promotion campaigns are excellent opportunities for authors. No, you can't justify launching a book promotion campaign in exchange for a predictable number of book sales unless you're the type of person who bought Google shares during its initial public offering and then enjoyed a good night's sleep. But, if you're like most authors, you won't count on monetizing your publicity campaign solely on the basis of increased book sales. Your plans will also include embracing the benefits that book promotion campaigns always provide and that make book publicity campaigns reliably worth the time, effort, and money you put into it (yes, even shoestring book promotion campaigns require an investment of cash). But here's the good news. Every time you embark upon a book publicity campaign, you'll give yourself an opportunity to:

1. Disseminate your key messages and share your viewpoint. Your book gives journalists and hosts a reason to interview you. Once you're on the air, in print, or online, you can tell people what you want them to know, share your perspective with them, make your case, and persuade listeners, viewers, and readers to follow a specific course of action. A dentist who writes a book about the importance dental hygiene, for example, might target people who haven't had a checkup in years... and figure out how to finally get bring them into a dentist's office before a dental crisis erupts that will really turn dental care into a nightmare. You'll have your say, and people will hear you... and that's probably one of the main reasons why you wrote your book, anyway.

2. Establish yourself as an authority and gain a competitive advantage. Which furniture mover would you be more inclined to hire: the one whose media spokesperson is always providing advice for packing fragile items, transporting heirlooms across long distances, familiarizing yourself with a new neighborhood, and helping your kids adapt to a new school, or the one whose company name you've randomly picked up from the Boston Globe's classified ads? Your expertise is something you can translate into new business opportunities, increased fees for current offerings, and the like.

3. Enhance your online presence. As you establish your portfolio of newspaper and online clippings, and accumulate radio, TV, and web interviews, you'll find your search engine visibility improving, and organizations, clients, customers, and the media will be better able to connect with you. Online articles that link back to your website attract readers, and they help your overall search engine optimization efforts on an ongoing basis, too. You can leverage your increased online presence to create new business relationships and reach out to people who, otherwise, wouldn't have any way of finding you.

4. Build your brand. By sharing your expertise and point of view, you're creating a platform from which you can more easily and successfully launch additional products and services... or simply enlarge your potential client and customer base for the services and products you already provide (or hope to offer). Every interview provides you with the possibility of metaphorically handing out hundreds, if not thousands, of business cards all at once to highly targeted audiences.

So, although you can't count on a book promotion campaign to pay for itself through increased book sales, you can depend on the enhanced opportunities that book publicity campaigns provide. Launching a book promotion campaign is a sound investment... or, at least, it is a wonderful opportunity for authors who can see beyond a hoped-for spike in book sales to achieve far more lucrative, and sustainable, gains.

 

Stacey J. Miller is an online book promotion specialist and founder of S. J. Miller Communications. Visit her at www.bookpr.com (connecting with her on Facebook or Twitter is strictly optional).

Is this book publicist seeing things?

Yes, I know my life is all about book promotion, and books, and promoting books, and publicizing books, and...well, yes, I confess. I'm all about books.

But am I seeing things?

I just came across an MSNBC.com story titled: Happy birthday, Dr. Seuss! Vote for your favorite movie.

Yes, I'm aware that several of Dr. Seuss's books have been turned into movie. I'm fond of several of them.

However, is it asking too much that we honor Dr. Seuss on his birthday by remembering his books before we jump to the next topic, film? Is it unreasonable to assume that Dr. Seuss, most of all, would want to be remembered as an author and illustrator?

To me, Dr. Seuss is the genius behind some of the best books that ever were, or ever will be. On his birthday, I want to re-read some of those.

See one of the films? Maybe...but not until I'm finished reading the books. Does that make me strange?

A book promotion specialist's tools

Like all professionals, a book promotion specialist has her tools of the trade. One of the most important is the relationship she builds with each and every one of her media contacts.

The identity of those TV and radio producers, magazine editors and writers, and newspaper editors and journalists, bloggers, and other media decision makers are a proprietary part of a book promotion specialist's property. But those names and the contact information behind those names are only a piece of what book publicists offer. The rest is the credibility the book publicist brings to each encounter she has with a producer, writer, editor, and journalist. A book publicist stakes her reputation on every author she represents; her association with a book is an explicit endorsement for that book. An author who would like to hire me "only" to send his or her press release, on my letterhead, to my media contacts pays full freight. If I get behind a book, then the author benefits from my reputation, and that's what I offer: my reputation, my book promotion skills, my approach to book promotion, my creativity in planning book promotion strategies, and the media contacts who help me turn unknown authors into experts with a platform.

This is how I see a book publicist's offerings, and it would surprise me to know there's another perspective -- but, apparently, there is. A publicist with whom I have a passing familiarity left a message on my answering machine after hours. When I retrieved the message, I heard a request for the name of the producer I'd worked with to book myself on a segment of "The Rachael Ray Show" to promote my book, 101 Recipes for Microwave Mug Cakes (BPT Press).

I was bewildered by the request for a number of reasons including the following:

1. The identity of, and contact information for, the producer I worked with at "The Rachael Ray Show" and every other media outlet I contact was, is, and will remain my business, and nobody else's until such time as I decide to sell my book promotion firm. Does that sound selfish? Well, okay. But book promotion is my livelihood, and to compromise my intellectual property would be self-sabotage, and that's something in which I would not engage any more than I would consider sabotaging a colleague or a competitor's business.

2. I appeared on "The Rachael Ray Show" at the end of 2009. Why would a publicist presume that the producer with whom I worked is still working at that TV show?

3. The names of, and contact information for, producers at every national TV show you can name is available to people who are willing to a) hunt for it (I've written an article about how to get this information -- click here to read it) or b) pay for it. I'd be chagrined to learn that a publicist lacked access to the contact information for a major national TV show. In fact, it doesn't make sense that a publicist would lack that information or wouldn't know how to get it. And, as Judge Judy likes to say, if something doesn't make sense, then it isn't true. Which leads me to the worst conclusion of all.

I believe this publicist wanted to use my name, and my reputation, to contact the producer of "The Rachael Ray Show" without 1) being up-front about the fact that he wanted to do so and 2) without giving me the benefit of knowing anything about the book project on which he was working. Evidently, offering me payment for this information (which I couldn't accept for the reasons I've already outlined) was not a part of the equation.

A book promotion specialist has her tools, and this is how a book promotion specialist stays in business. This is what a book promotion specialist has to offer. If another publicist places so little value on those tools that he or she would blithely request the information, to do with just as he or she pleased, then I call that an attempt at theft.

Yes, there is a Recession going on. Maybe the publicist who tried to take from me a piece of my property and to "borrow" my reputation has fallen up against hard times. But I fear that the publicist in question isn't only facing a financial challenge. I am deeply concerned this individual has declared moral bankruptcy as well.

To the publicist in question: If you happen to read this blog entry, no. I will not return your phone call. And I can't imagine why you left me the message in the first place if you consider yourself a person of honor.

Is 50 Years Too Late for Book Promotion?

Is 50 years too long to wait after an event to publish your story and hope to get some book promotion? Well, not if you've waited 50 years to talk about the affair you had with President John F. Kennedy while you were a White House intern, apparently. Check out just some of the national book promotion opportunities that Mimi Alford's new book, Once Upon a Secret: My Affair with President John F. Kennedy and Its Aftermath, has received. Here's the story on CNN, and here it is on NBC's "Today Show."

And this is just the beginning.

Mimi Alford will be all over the media, promoting her new book, and she'll be given these book publicity 50 years after her lover's death because she was in the right place at the right time -- doing the wrong thing.

When the book sales that result from the book promotion blitz that accompanies Mimi Alford's new book are in, she might just feel that doing exactly the wrong thing was exactly the right book -- from a book promotion perspective.

Book Promotion Perspectives

A Houston Chronicle article talks about book promotion from the different perspectives of several successful authors including Rebecca Skloot, author of The Immortal Life of Henrietta Lacks and others.

The story of how Skloot's created buzz for her book (beginning years before its publication!) caught my attention because, by coincidence, I'd just finished reading The Immortal Life of Henrietta Lacks . Of course, I read the book because of all the media attention it had received (yes, successful book promotion campaigns work for book publicists, too). But I found it fascinating to see the extent to which Skloot's generated all that book publicity for herself. She didn't wait for her book publisher to do it for her.

In the article, you'll read about authors who used Facebook and Twitter to generate buzz for their book, and you'll read about at least one author who avoided social networking. Finally, you'll read about an author whose appearance on a national TV show -- "Good Morning America" -- was the making of his book and proved, to him, that traditional book promotion strategies still work best (when you're lucky enough to score the right mix of major book promotion opportunities, that is).

Ask half a dozen authors whose books have been successful how they created buzz for their books, and you'll get six vastly different responses. But the cool thing is that we can learn from all of them, and we can adapt their book promotion strategies to our own book publicity goals, needs, and preferences. There's something to be learned from all successful authors.

Book Lust Rediscoveries Kindles Book Promotion Potential

Nearly every author who works with this book publicist has a dream: "Get me on NPR!" Any author whose book is featured on "Morning Edition" or any other National Public Radio show will be in literary and book publicity heaven.

Which is why it was particularly interesting for me to come across an article about Nancy Pearl, a librarian who comments about books on National Public Radio's "Morning Edition," and who has created the Book Lust Rediscoveries program with Amazon. The program will reprint books some of Pearl's favorite out-of-print titles that were originally published between 1960 and 2000. Pearl will add her own introduction and discussion questions to each reprinted book.

If Pearl puts her stamp of approval on a book than -- fifty years old or not -- there will be instant buzz about the title, and an instant surge of book promotion potential that, ultimately, will be a huge potential gain for the author. So Book Lust Rediscoveries is all good, right? You'd think so, except I ran across the article about Book Lust Rediscoveries in an article (ironically, one that was published on the NPR web site) titled: "Publishers And Booksellers See A 'Predatory' Amazon."

There's no doubt that Amazon's experiments and goals are in conflict with those of many publishing industry professionals. At the same time, the publishing industry is changing so quickly, and so profoundly, that it's almost impossible to single out one company as "all bad" or, even, as "all good."

My job is to keep up with book promotion opportunities, and right now, I'm grateful to Amazon for providing a new book publicity opportunity -- in this case, to books that are no longer in print. Tomorrow, I'm sure I'll lament something else's partnership with Amazon or a decision Amazon has made that can hurt small publishers ... but, at least in this case, I'm willing to give credit where credit is due. And credit is certainly due to Amazon and to Nancy Pearl for their Book Lust Rediscoveries program.

Here's How to Garner Instant Book Promotion

Here's how to garner an instant book promotion opportunity. Sell your book to a producer who creates a successful film best upon your book, and then have that film be nominated for an Oscar. There you have it: a chance to create buzz about your book.

USA Today reports that six of the nine movies that were nominated for best picture Oscars this year were based upon books. Those movies are: "The Descendants," "Hugo," "The Help," "Moneyball," "War Horse," and "Extremely Loud & IncrediblyClose." Last year (USA Today reports), ten movies were nominated for best picture Oscars, and half of them were based on books.

So if you want your book's title on everyone's lips (and all over everyone's social networking pages and emails), simply focus on having someone turn your book into an Oscar-worthy film. Failing that, do what the rest of us have learned works best: conduct a book promotion campaign that blends the best of traditional book promotion and online book promotion strategies, and maintain your efforts for as long as they're productive, cost effective, and enjoyable. Book promotion campaigns work -- perhaps not as well as having your book-to-film project nominated for an Oscar, but still, book promotion campaigns do work.

Book Promotion and Book Marketing Perspective

Shaun Rein, author of the upcoming book, The End of Cheap China: Economic and Cultural Trends That Will Disrupt the World, shares his perspective on book promotion and book marketing in a Forbes article, Three Tips on Making Your Book a Bestseller.

Since Rein's book will be published by a traditional house, Wiley, it's interesting that he even has to give book promotion and book marketing a thought. Isn't the publisher supposed to take care of book publicity and all things related to selling books?

Well, no. As Rein has discovered, for most authors, traditional book publishers focus their book marketing efforts primarily on their A-list authors, and they leave all of their other authors to implement a book promotion and book publicity plan for themselves. That's not only true of Wiley. It's the case for all of the large traditional publishers that this book publicist has run across.

A small- to mid-sized traditional publisher is driven by economics to care about the sales of the books they publish -- or, at least, to support a greater percentage of the books they publish than larger publishers do. But the truth is that Rein is correct. To ensure that your voice is heard in the media, and your book's title is mentioned in the press, most authors have to proactively take charge of their book promotion and book publicity efforts.

They can ask for (and will often receive) help from a traditional book publisher's in-house publicity department. But they often have to ask for additional support beyond the resources that the traditional publisher can, or will, provide. That's why authors so frequently also engage the services of an independent book promotion specialist, and why they so often regard that working relationship as a partnership and participate in promoting their own books during the course of a book promotion campaign.

As Rein has found, it's never too early to ramp up your book promotion efforts -- and you can never have too many extra helping hands on board.

How to blow a book promotion opportunity.

How can you blow a book promotion opportunity? Let's look to Christine O'Donnell for inspiration. O'Donnell, who is promoting her book, Troublemaker, walked off the set of "Piers Morgan Tonight" during a live interview.

Piers Morgan, in case you've missed it, is the TV talk show host who has succeeded Larry King in his old CNN time slot. Morgan hasn't yet attained the status that King enjoyed, in this book publicist's opinion; he hasn't earned it yet. Still, an interview with Piers Morgan represents an important book promotion opportunity, and it's one that every author would feel very lucky to score.

O'Donnell, apparently, wasn't "every author." Rather than feel grateful for the international exposure "Piers Morgan Tonight" offered, she decided that Morgan's questions weren't headed in the right direction ... and she removed her microphone and walked off the set.

If Christine O'Donnell thinks she will go from behaving like a spoiled brat on the set of "Piers Morgan Tonight" to accepting her choice of subsequent book publicity venues, she's mistaken. Book promotion opportunities were hers for the taking -- as long as she graciously accepted them and played the good sport when things didn't go exactly the way she hoped they would.

Instead, Christine O'Donnell had a tantrum in front of the TV cameras.

That was unwise. It also could have been easily avoided if Christine O'Donnell understood why she was invited to appear as a guest on "Piers Morgan Tonight." What O'Donnell believed she was doing on "Piers Morgan Tonight" was showcasing her book.

Well, no. Book promotion opportunities may have the effect of letting authors showcase their books. But no author is invited to appear as a guest on any media outlet to sell books. Authors are invited to appear as a guest on a media outlet to entertain and inform the audience. The interview, at all times, is controlled by the host, not by the author.

The author is fortunate to have each book promotion opportunity. And whether the author in question is Christine O'Donnell or Jane Doe, the author's gratitude should transcend any tendency to feel slighted, irritated, or unappreciated.

Christine O'Donnell was not supposed to let Piers Morgan get her dander up, and she was not supposed to behave like a prima donna, and she was not supposed to disregard her commitment to Piers Morgan's audience (not to mention to his network and its sponsors) when she didn't get her own way.

That was a mistake, and it's one for which Christine O'Donnell's book promotion campaign will suffer.

Let the News Work for Your Book Promotion Campaign

If you’re waiting for a slow news day to pitch your story ideas to the media, you’ll probably have a long wait. In fact, you might never succeed in shouting down the major events of the day, and you might find yourself waiting forever to find a lull in the news so that you can launch the book promotion campaign you’ve envisioned.

There’s always something happening: crime, war, politics, money, sickness, or a combination of all those things. These front-burner events will take priority over any other story ideas you offer producers and journalists, and they should. These are the news stories that affect people’s lives, and you can’t fight their impact. These are the news stories that affect people’s lives, and you can’t fight their impact. Instead, you can take advantage of new stories and their relationship to the messages you want to convey, and you can use them to get the top media placements you seek.

Here are five ways to let the news work for you so that today’s headlines can become your immediate media placements:

• Scout for opportunities. Make a habit of checking news outlets for stories that you can address as a professional, or as someone who has researched (or experienced) the subject matter. Ask your friends, relatives, associates, and publicist to do the same. You’re seeking news stories to which you can add expert advice, missing information, or an alternative perspective. Is everyone in the media discussing the stock market’s volatility? Then this might be a good time to pitch your knowledge of the long-term dangers of stress, ways to teach children about investments, or how delaying retirement can benefit your health. In other words, if you can tie your wisdom (or your novel’s themes) into hot news stories, then you can use all of the book promotion strategies at your disposal to pitch the media while the event is still unfolding – and while media decision-makers still need to find fresh ways to report it. You might discover news hooks you had never envisioned while you were writing your book or planning a promotional campaign, but those time-sensitive news angles are usually the ones that get the best media response of all.

• Be creative, but realistic. Sometimes, news stories jump out at you as obvious opportunities for contributing your voice and experience. At other times, it takes a bit more imagination to connect your expertise to the news. That can work in your favor. If all professional landscapers thought about sharing their advice about how to clean up after hurricanes at once, then you’d have far more competition to worry about. But, while it helps your cause to find clever connections that others miss, it could harm your relationship with the media – perhaps permanently -- if your pitches are wildly and consistently off the mark.

• Be concise and professional. Because most time-sensitive pitches are online pitches (how many journalists and producers do you know who actually pick up their telephones anymore?), you’ll probably email, text, instant message, or tweet your pitches to the media. Make every word count. Be succinct, and offer hyperlinks (no unsolicited file attachments!) to help media decision-makers find relevant information easily. At the same time, be sure to proofread your pitches before you send them. If you compromise spelling, grammar, or accuracy in favor of speed, then you give journalists and producers a reason to question your communication skills, and you never want to do that.

• Make yourself available, or wait until next time. The media has just released the surprising results of a medical study, but they don’t know the whole story. You’ve let all the health editors in your database know that you have something important to add, but you’re committed to seeing patients, and you can’t do interviews until next month. That may be too late. When a news story is breaking, and you're tempted to pitch the media, first ask yourself whether you really can make yourself available for a quick round of publicity opportunities. If you can, go for it. Otherwise, hold onto those media pitches for another time and another news story. Don’t offer media decision-makers something they want – in this case, yourself – and can’t have.

• Be confident. Modesty is admirable, but if you want the media to take you seriously, this isn't the time for humility and hesitation. Your job is to convince media decision-makers that you’re the go-to person for a particular news story, and you can do that only if you believe it yourself, and if you convey authority, self-assurance, and credibility with each pitch.

Finally, persistence can work in your favor. If you’re disappointed with the media’s response to your initial pitch, then try again another time with a different news hook. The media’s silence isn’t an indication that your pitches are unwelcome. It only means the timing wasn't right or that another expert came along with a more appealing angle. Keep trying, and who knows? The next unfolding news story could provide you with just the hook you need to score an appearance on a major media outlet. And, with luck, it might even happen before the day is through.

Stacey J. Miller is a book promotion specialist and founder of S. J. Miller Communications. Visit her at www.bookpr.com.

Why Authors Hate Social Networking

Why Authors Hate Social Networking
And How to Promote Books Online, Anyway

Publishers, faced with shrinking book promotion budgets, are more excited than ever about telling authors to promote their own books online. By online book promotion, publishers often mean social networking. They use the phrases interchangeably. The reason publishers are particularly excited about online book promotion is that, in their opinion, they don’t have to get involved in it. They can simply suggest that authors engage in online book promotion, and then step back and wait to see the results. It’s good for the publisher’s budget and easy on their resources, and it keeps authors busy.

Authors, on the other hand, may have mixed feelings about online book promotion. It’s hard to say “no” when your publisher tells you social networking can be good for book sales. On the other hand, social networking can be a huge time sink and present some vaguely disturbing possibilities. Once authors have opened the gates to social networking, it can be hard to close them again. Do authors really want to spend hours each week communicating with (and fending off luncheon requests from) play group friends, buddies from the old neighborhood, relatives with vaguely familiar surnames, or colleagues from forgettable jobs?

Becoming active on any of the social networks is like leaving your door cracked open in the summertime. It’s tempting to enjoy the fresh air and a pleasant breeze, but you also could be letting the creepy crawlies through the door. Authors know this which is why so many of them instinctively and wholeheartedly resist social networking.

But just because the former playground bully lies in wait, hoping for redemption, on the social networks is no reason for authors to avoid online book promotion opportunities altogether. There are innovative ways and effective ways to create online buzz for books. Here are four ways to begin:

Launch a contest. A giveaway is easy to host, and all authors have to do is provide winners with copies of their books. There are web sites that will help spread the word about contests. Each giveaway winner is a source of word-of-mouth promotion, and anyone who signs up to win but doesn’t is a potential book buyer.

Connect with bloggers. Ask bloggers to review books. Most of them will be glad for the opportunity, and each online mention of a book is another search engine optimization gem.

Draft articles. Offer information that relates to a book (yes, even a novel) in the form of an article. Many blogs and web sites accept simultaneous submissions, so the process of seeing an article published online should proceed quickly. Submit articles to newspapers and magazines, too. Most of them have web sites as well as print publications.

Comment on news stories. Many news sites invite readers to submit feedback, and these posts are published instantly. Set up a Google alert to find news stories related to specific topics, and write a mini op-ed for each. Posts can include the names of authors’ books.

For authors who like the idea of creating online buzz but lack the time or the contacts, book publicists who are on the cutting edge of online book promotion can help. They’ll have ideas of their own, and authors can offload the time-insensitive, research-related parts of the job to them.

The good news is that online book promotion campaigns require far less startup time – and can even be far more effective, in the long run -- than traditional book promotion campaigns. So for authors who won’t be forced or “guilted” into social networking, there are still opportunities for online book promotion now, and there are more cropping up every day as technology evolves.

Better book promotion, money can't buy.

Jane Fonda's appearance on the QVC television network, during which she could have sold copies of her new book (a memoir called Prime Time) was cancelled because QVC executives feared Jane Fonda's presence on its network would inflame some of its viewers. Fair enough.

But, from a book promotion standpoint, I'd say that Jane Fonda walked away a winner here.

I mean, how many of us watch the QVC television network? A lot of us...but, perhaps, not enough to compare with the number of people who saw the flare-up between Jane Fonda and QVC in dozens, if not hundreds, of media outlets recently.

Were it not for the many stories I read about how Jane Fonda was prevented from http://www.blogger.com/img/blank.gifselling Prime Time on QVC, I would never have known that Jane Fonda had published an autobiography -- and, to be honest, I wouldn't have much cared. Jane, to me, means good acting (although I haven't seen any new work she's done in years) and those exercise videos from many years ago (which, back then, didn't interest me). Now? I wouldn't mind giving Prime Time a look to see what Jane Fonda's selling. I don't know whether or not I'd actually be willing to buy the book, but I'll certainly bop by her book's web site, now that I've heard about her book.

Perhaps I'll be sold. And perhaps I won't.

But that's what book promotion is all about: making potential buyers aware that you've published a new book, and that you're an author now (or an author again), and you'd like them to think about whether your work might benefit them in some way. In other words, "My book exists. Please consider buying it. Thank you very much." If your book publicity efforts (or your book promotion accidents, such as Jane Fonda's mess with QVC) can drive traffic to your book's web site, so much the better.

So Jane Fonda is the clear winner here. QVC doesn't have to sell Jane's book. All of the book promotion Jane Fonda has received, and will continue to receive, will sell Jane's book.

And if book promotion doesn't sell very many books for Jane Fonda, then I doubt very much that cancelled appearance on the QVC television network would have, either.

Room in the Media, Once Again, for Book Promotion

Now that Casey Anthony has gone into hiding, perhaps there is room in the news -- both the traditional media and online media outlets -- for author interviews that do not bear on the subject of Casey Anthony once again. Those who are promoting books, including authors, publishers, and book publicists: stand back. Casey Anthony has left the building, and the media has moved on. Opportunities for book promotion (for books that don't touch on the theme of murdering family members, anyway) have returned!

Book promotion tour for the right reasons?

David Chura, author of I Don't Wish Nobody to Have a Life Like Mine: Tales of Kids in Adult Lockup, has published a wonderful piece in the Huffington Post called "Book Peddlers: Why One Author Hits the Promotion Road." Chura talks about trudging from one book event to another in countless cities, hoping that he isn't left standing at the podium talking to himself.

Chura's story is familiar to me, and I especially appreciate Chura's feeling that, as long as he connects with his audience, his time is well spent. (It sure beats the unanswerable question I'm hearing too frequently these days from authors: "If I hire a book publicist and invest X number of dollars in book promotion, then how many dollars can I expect to earn in book sales?")

It's good to see that Chura is an example of an author who has embarked on a book promotion tour for the right reasons...gaining something besides, exclusively, book sales. But it's even better to see that, along with hitting the road to do book publicity events, Chura is also smart enough to engage in less taxing, perhaps more highly targeted book promotion efforts such as pitching a well-written, interesting article to the "Huffington Post" that gets out the word about the authorship of his book to far more people at once, far more painlessly, than a series of book events would!

Book promotion opportunities courtesy of Whitey Bulger?

Thanks to the FBI for finally capturing Whitey Bulger (those who aren't sure who Whitey Bulger is can click on the USA Today link to find out). Let's overlook, for now, the fact that the FBI gave Bulger the warning that led to his running away with 16 years ago -- let's focus, instead, on the fact that justice is at hand, and Bulger will soon be back in Boston to face his criminal past and pay his debt to society.

And thanks to the FBI and to the accused murderer himself for opening up a whole world of book promotion opportunities for all authors who have penned books about Whitey Bulger. A quick Amazon search on "Whitey Bulger" turned up more than 10 books about the former fugitive, each of them a potential book publicity goldmine at the moment (that is, provided each of the authors is willing to commit some time and energy to granting interviews, writing articles and op-eds, disseminating news releases, contacting bloggers, and the like).

Book promotion always works best when you can attach your expertise to a breaking news story -- and, since the capture of Whitey Bulger is a huge news story, lucky are the authors who can take advantage of the news hook. I'm sure they'll want me to thank Whitey Bulger and the FBI on their behalf.

Go, Whitey Bulger experts and authors! Garner those book promotion opportunities! And, while you're doing that, please say a prayer for Bulger's victims (and their family members and friends). Good can sometimes be extracted from horror, even in cases where that horror has been unspeakable. So thank you, Bulger. And thank you, too, FBI.

A book promotion campaign...

A book promotion campaign is only as good as an author's willingness to say "yes" to interview (and book) requests. I'm working with an author who knows this, and yet is overwhelmed by other demands on his or her time. (Name and gender withheld to protect the guilty!) Thus, this book publicist is hearing "no" a lot more than she's accustomed to hearing it from authors.

And, wouldn't you know, this is a book that would publicize itself if the author would cooperate. Grrr. Soooo frustrating for this book publicist! But, perhaps, the author will decide that building brand by getting media visibility is worth the price of putting some time into this book promotion campaign. Could happen. Maybe.

Two articles for book promotion!

I’m so proud of two friends and clients. They both scored an amazing book promotion opportunity!

Debra Fine, author of “The Fine Art of Small Talk,” wrote an article http://www.blogger.com/img/blank.gifcalhttp://www.blogger.com/img/blank.gifled “Six Wedding Reception Rules (Royal or Otherwise)” that was just published on FoxBusiness’s web site. Good for you, Debra! I love the way she tied her expertise into a news story and turned it into a book publicity opportunity that FoxBusiness couldn’t resist!

And Caroline Dowd-Higgins, author of “This Is Not the Career I Ordered,” was quoted in a “U.S. News and World Report” article — and her book was mentioned, too!

Congratulations to Debra and Caroline, and I hope your articles bring a lot of book buyers and other potential clients your way!

Ricki Lake is back in book promotion game!

Remember Ricki Lake's old television talk show? Like most talk shows, it provided opportunities for various authors to provide their expertise to television and, of course, to publicize books they wrote. Book publicists, and everyone who promotes books, love to hear about upcoming book promotion opportunities, and here's one that this book publicist just came across: Ricki Lake's new television talk show is in the works. Here's the story.

As CNN's Marquee Blog says, the Oprah Show is leaving the airwaves, but Ricki Lake's new show may be launching. And with the unfortunate cancellation of two of ABC television's long-running soap operas, there will be even more open time on the television schedule. That means there will be additional air time, potentially, for talk shows that, of course, provide book promotion opportunities for authors. So, although I mourn the passing of the soap opera genre (face it: I've been hooked on soaps since before I started school, and I'd still watch them, if I had the time), I do appreciate that advent of new television talk shows and new book publicity opportunities for authors.

Time's change, but the benefits of television (and radio, too) shows for authors who want media attention are unchanged. A new television talk show means new book promotion opportunities. So I'll welcome Ricki Lake back with open arms...and I'm look forward to seeing other new television talk shows hitting the airwaves in the months ahead.