He breathes. Therefore, he enjoys publicity for his latest book.
If everyone in the world were Stephen King, then launching a book promotion campaign would be a question of announcing a new project, and the media would flock to cover the story. If you've been hiding out in a cave, you may have missed the fact that Stephen King -- in conjunction with Marvel Entertainment -- has turned is Dark Tower work into a comic book.
Book promotion opportunity? Well, this is Stephen King we're talking about. I'm not into comic books in general, and I'm not a Dark Tower fan specifically, but even I've stumbled upon the news of King's foray into the comic book world about 4,698 times since yesterday morning. Here's just one the articles about it that you'll find online.
Apart from the Dark Tower series, and one or two or three or four of King's more recent work, I am a huge fan of Stephen King. And I certainly don't begrudge him the media's adulation or the book promotion opportunities that come his way. He deserves those book opportunities. He's always trying new artforms, and that's cool. I respected him when he brought back serial book reading with "The Green Mile," and when he stuck a toe into ebook publishing with -- was that project called "The Plant?" Something like that.
King takes risks, and that's always worth the media's time and attention. I only wish that, when struggling authors took similar risks, they were granted the same visibility and accolades for trying out new artforms and interesting business models.
Way to go, King, for celebrating the release of your comic book with all the book promotion that talent and fame and hard work can buy. For the rest of us ... well, back to pitching the media, one day at a time.
Tuesday, March 13, 2007
Monday, March 12, 2007
Shortsighted governor slashes books budget
Book promotion presumes that all readers -- sighted and vision-impaired -- will have access to books. But if the governor of Massachusetts has his way, several "talking books" programs in the state will be downsized as a way of economizing. As Boston Herald columnist Peter Gelzinis points out in his column today, it can cost twenty-five dollars to buy a book on CD. Therefore, many vision-impaired people depend on free audio books, newspapers, and magazines.
With an overall budget of $26.7 billion budget, does Massachusetts really want to lessen its citizens' access to reading materials just to save a couple hundred thousand dollars?
From his office, Massachusetts' governor Deval Patrick practically can walk to Harvard University, MIT, Tufts, and so many other institutions of higher learning. You can't walk down a Cambridge, Massaschusetts street on any average afternoon without bumping into at least a few authors. Sure, all those authors dream about fabulous distribution and wonderful book promotion campaigns, and publishers, distributors, and book publicists can help them with all of that.
But will their books be available for everybody? If Governor Patrick has his way, perhaps not for much longer.
With an overall budget of $26.7 billion budget, does Massachusetts really want to lessen its citizens' access to reading materials just to save a couple hundred thousand dollars?
From his office, Massachusetts' governor Deval Patrick practically can walk to Harvard University, MIT, Tufts, and so many other institutions of higher learning. You can't walk down a Cambridge, Massaschusetts street on any average afternoon without bumping into at least a few authors. Sure, all those authors dream about fabulous distribution and wonderful book promotion campaigns, and publishers, distributors, and book publicists can help them with all of that.
But will their books be available for everybody? If Governor Patrick has his way, perhaps not for much longer.
Friday, March 09, 2007
Book promotion opportunities are enhanced by death.
Book promotion opportunities are enhanced by death. Sounds grim, doesn't it? I guess that's the reason why I don't promote comic books.
Apparently, Captain America is dead. Woe is he. But happy is Marvel, the publisher of the Captain America comic books. Apparently, fans are flocking to the stands to buy volume #25, which is the issue in which the superhero -- or the almost-superhero, if I'm reading the news reports correctly -- meets his maker.
Can anyone doubt that Captain America will be back in some form or another, and that rumors of his death were greatly exploited in the middle to promote the comic book? Well, don't ask this book publicist. She hasn't been a fan of comics since Richie Rich in the seventies, but that may be a bit too much information for you. :)
Just know that, if you do something truly shocking -- such as kill off a main character who is beloved by legions of readers -- then book promotion opportunities will surely come. It's book publicity through murder, which can be seen as a guerilla marketing tactic. Get it? Guerilla warfare? Never mind.
Okay, it's Friday, and I'm punchy. Time to get to work on my latest book promotion campaigns, and then call it a weekend.
Apparently, Captain America is dead. Woe is he. But happy is Marvel, the publisher of the Captain America comic books. Apparently, fans are flocking to the stands to buy volume #25, which is the issue in which the superhero -- or the almost-superhero, if I'm reading the news reports correctly -- meets his maker.
Can anyone doubt that Captain America will be back in some form or another, and that rumors of his death were greatly exploited in the middle to promote the comic book? Well, don't ask this book publicist. She hasn't been a fan of comics since Richie Rich in the seventies, but that may be a bit too much information for you. :)
Just know that, if you do something truly shocking -- such as kill off a main character who is beloved by legions of readers -- then book promotion opportunities will surely come. It's book publicity through murder, which can be seen as a guerilla marketing tactic. Get it? Guerilla warfare? Never mind.
Okay, it's Friday, and I'm punchy. Time to get to work on my latest book promotion campaigns, and then call it a weekend.
Thursday, March 08, 2007
What's tougher than book promotion?
What's tougher than book promotion? In my humble opinion, it's working on the production side of things. I just read in this MSNBC article that Katie Couric's evening news producer was fired because of low ratings.
Yes, I know everyone wants to grow up to be a TV producer. (I did, and so did about 75% of my classmates in Emerson College's mass communication department, back in the 1980's.) But imagine the stress of knowing that your job is in jeopardy every second of every day because of low ratings, changes in format, morphing management, and show cancellations?
And think about this: every time there's a change in personnel at a TV station or a radio station, book publicists must know about it. Book publicists can't only buy media lists and then happily embark upon yet another book promotion campaign. Book publicists have to keep up with changes -- not only at television and radio stations, but at newspapers, magazines, and Web sites, too -- as they happen.
I find it amusing that many authors believe that good publicists have good friends in the media. Well, that would be key if good friends in the media had good jobs in the media from week to week, and from month to month.
The truth is that good publicists are those who know how to make friends with new producers and editors and writers and hosts who are hired to replace departing producers and editors and writers and hosts -- every minute of every day, every week of the year, every year of every book promotion campaign that you launch.
Welcome to my world.
Yes, I know everyone wants to grow up to be a TV producer. (I did, and so did about 75% of my classmates in Emerson College's mass communication department, back in the 1980's.) But imagine the stress of knowing that your job is in jeopardy every second of every day because of low ratings, changes in format, morphing management, and show cancellations?
And think about this: every time there's a change in personnel at a TV station or a radio station, book publicists must know about it. Book publicists can't only buy media lists and then happily embark upon yet another book promotion campaign. Book publicists have to keep up with changes -- not only at television and radio stations, but at newspapers, magazines, and Web sites, too -- as they happen.
I find it amusing that many authors believe that good publicists have good friends in the media. Well, that would be key if good friends in the media had good jobs in the media from week to week, and from month to month.
The truth is that good publicists are those who know how to make friends with new producers and editors and writers and hosts who are hired to replace departing producers and editors and writers and hosts -- every minute of every day, every week of the year, every year of every book promotion campaign that you launch.
Welcome to my world.
Wednesday, March 07, 2007
When book publicists can't win.
I've always taken the position that book publicists can have private opinions, but not public ones. (Which makes it sort of strange that I blog, but I digress.) I tell anyone who will listen that the authors I represent do not necessarily share my opinions, nor do I share theirs. Even so, journalists and producers sometimes reacts negatively to a particular pitch. For example, I recently promoted a book that was endorsed by Rudy Giuliani, and a reporter who was categorically not a Rudy Giuliani fan sent me a furious, "never contact me again under any circumnstances, you horrible Rudy Giuliani supporter!" email.
Well, okay.
So now I'm beginning a book promotion camaign for a book which has a claim to controversy that is a lot stronger than who endorses it. This book is about one of those big topics that people have fought and died for, and even committed homicide over. That's the type of book that will cause tempers to flare, and could be at the center of a very rocky book promotion campaign.
I, therefore, sent out a mass email with the disclaimer that the author's opinion did not necessarily reflect my own. And wouldn't you know it: an editor at one of the top daily mewspapers in the country fired me back an email accusing me of -- well, in short, of being a weenie.
Well, okay.
This is not the start I was hoping for to this book promotion campaign. But I still have hopes that the book promotion campaign will go well, and that the author's voice will be heard, and that he or she sells some books as a result of the book promotion campaign.
Are we having fun yet?
Well, okay.
So now I'm beginning a book promotion camaign for a book which has a claim to controversy that is a lot stronger than who endorses it. This book is about one of those big topics that people have fought and died for, and even committed homicide over. That's the type of book that will cause tempers to flare, and could be at the center of a very rocky book promotion campaign.
I, therefore, sent out a mass email with the disclaimer that the author's opinion did not necessarily reflect my own. And wouldn't you know it: an editor at one of the top daily mewspapers in the country fired me back an email accusing me of -- well, in short, of being a weenie.
Well, okay.
This is not the start I was hoping for to this book promotion campaign. But I still have hopes that the book promotion campaign will go well, and that the author's voice will be heard, and that he or she sells some books as a result of the book promotion campaign.
Are we having fun yet?
Tuesday, March 06, 2007
The type of book promotion story that isn't.
When I discuss book promotion, I'm talking about working with authors, and sometimes publishers, to disseminate messages to the media. I'm talking about the reward for writing, and publishing, a book. Book promotion is supposed to be fun and creative, and it's supposed to be the payoff you receive for all your hard work. It's supposed to be a time when you're treated as the expert you are, and afforded the respect you deserve.
So I don't want to hear about book promotion ripoffs. I don't want to hear about book promotion campaigns that aren't. I don't want to hear about book promotion coaches who don't. I don't want to hear about authors who experience a nightmare with someone who calls him- or herself a book publicist.
I don't want that.
But I sometimes do hear book promotion nightmares, like this one. I don't know anymore about the situation than what the author tells us, and I don't know what the other party's position is. Perhaps there are two sides to this story, as there are to most.
But I do know that I have a hard-and-fast rule: I will consider representing only authors whose work I feel connected to, and whose books will help my credibility. That means that all prospective clients must have a completed manuscript that I can see, and must have publication plans in place. I will never agree to represent a manuscript that's in process, or a manuscript that's making the rounds of publishers.
Book promotion campaigns work only when book publicists can get behind the book. That doesn't mean that book publicists agree with the messages in every book we promote. Sometimes, we strongly disagree with them. But book publicists agree to make the authors' case during book promoton campaigns, and we agree to help find venues for the authors to give voice to their visions. Book promotion campaigns obviously cannot work when a book publicist has agreed to promote a book, sight unseen. And, even more obviously, a book promotion campaign cannot succeed when there is no published book to promote.
It's not tough these days to publish a book. It requires doing your homework to find the best publication method, and then moving forward with the information you've gleaned from books on publishing and self publishing.
And it's also not tough these days to have a successful book promotion campaign. Again, it requires doing your homework to find a book promotion specialist who is excited about representing your book and you. It means checking references. It means choosing a book publicist based on the rapport you develop with that individual.
Book promotion campaigns require an investment, and I urge potential clients to stay within their comfort zones financially whether they hire my book promotion firm or another. Book publicity is a crapshoot. You never know what book promotion opportunities you'll garner when you embark on a book promotion campaign and, presuming you garner a great number of media opportunities, you never know how well those media opportunities will translate into book sales.
Yes, book promotion is expensive, and yes, book promotion is a risk. But book promotion is supposed to be a fun gamble and an informed risk, and it's supposed to be your reward for all the hard work you've done as an author and, perhaps, as a publisher.
It is not supposed to be a nightmare, and it pains me to think that, in some cases, it can be.
So I don't want to hear about book promotion ripoffs. I don't want to hear about book promotion campaigns that aren't. I don't want to hear about book promotion coaches who don't. I don't want to hear about authors who experience a nightmare with someone who calls him- or herself a book publicist.
I don't want that.
But I sometimes do hear book promotion nightmares, like this one. I don't know anymore about the situation than what the author tells us, and I don't know what the other party's position is. Perhaps there are two sides to this story, as there are to most.
But I do know that I have a hard-and-fast rule: I will consider representing only authors whose work I feel connected to, and whose books will help my credibility. That means that all prospective clients must have a completed manuscript that I can see, and must have publication plans in place. I will never agree to represent a manuscript that's in process, or a manuscript that's making the rounds of publishers.
Book promotion campaigns work only when book publicists can get behind the book. That doesn't mean that book publicists agree with the messages in every book we promote. Sometimes, we strongly disagree with them. But book publicists agree to make the authors' case during book promoton campaigns, and we agree to help find venues for the authors to give voice to their visions. Book promotion campaigns obviously cannot work when a book publicist has agreed to promote a book, sight unseen. And, even more obviously, a book promotion campaign cannot succeed when there is no published book to promote.
It's not tough these days to publish a book. It requires doing your homework to find the best publication method, and then moving forward with the information you've gleaned from books on publishing and self publishing.
And it's also not tough these days to have a successful book promotion campaign. Again, it requires doing your homework to find a book promotion specialist who is excited about representing your book and you. It means checking references. It means choosing a book publicist based on the rapport you develop with that individual.
Book promotion campaigns require an investment, and I urge potential clients to stay within their comfort zones financially whether they hire my book promotion firm or another. Book publicity is a crapshoot. You never know what book promotion opportunities you'll garner when you embark on a book promotion campaign and, presuming you garner a great number of media opportunities, you never know how well those media opportunities will translate into book sales.
Yes, book promotion is expensive, and yes, book promotion is a risk. But book promotion is supposed to be a fun gamble and an informed risk, and it's supposed to be your reward for all the hard work you've done as an author and, perhaps, as a publisher.
It is not supposed to be a nightmare, and it pains me to think that, in some cases, it can be.
Monday, March 05, 2007
Book publishing exchange, including book promotion tips
I've just found a great place online for authors to exchange ideas, learn about book publicity, and discuss their questions with colleagues from around the world. It's an email group called TWLAuthorTalks (to subscribe, email: TWLAuthorTalks-subscribe@yahoogroups.com), and the moderator is Dorothy Thompson, author of the wonderful ebook on how to promote ebooks (I'm a proud owner of a copy), A Complete Guide to Promoting and Selling Your Self-Published eBook. You can find the book online at http://www.dorothythompson.homestead.com/books.html. Dorothy knows her stuff about all of the latest methods of book promotion. Don't believe me? Google her. You'll see her name everywhere, not because she's lucky, but because she puts a lot of time and energy into book publicity and self promotion -- and it's paying off for her.
I'm delighted to be a guest speaker on book promotion and book publicity this week at TWLAuthorTalks. Imagine being in such refined company...Dorothy's light is sure to shine on me, and I'm sure I'll learn at least as much as I share with her subscribers.
I'm delighted to be a guest speaker on book promotion and book publicity this week at TWLAuthorTalks. Imagine being in such refined company...Dorothy's light is sure to shine on me, and I'm sure I'll learn at least as much as I share with her subscribers.
Sunday, March 04, 2007
Every book publicity campaign begins with...
It's Sunday, and what does this book publicist find herself doing? Reading two books. Are they two books that this book publicist bought "for the beach" or because they were on her reading list or because they're in the news or to "improve her mind?"
Nope. They're books she's going to promote.
Which brings me back to my point. Every book publicity campaign begins with reading the book. To create a media kit that will get a book promotion campaign off to a healthy start, you have to know the big messages in the book and be able to turn them into media hooks now, or when breaking news invites a tie into the big messages.
For example, let's say your book is a novel whose main character with a quirk that's mentioned a few times in the book -- she eats bananas day and night. The bananas-eating represents .00009 of the plot, but still, it's in the book. Then there's a real-life news story about how eating 12 servings of bananas a day can extend your lifespan by 5 years. What a great media hook, and what a great way to make your book publicity campaign soar! But you'll only be able to make the connection if you've read the book from cover to cover -- if, in effect, you know your bananas.
So, with two book publicity campaigns starting, I am reading both books now. I'm eager to be impressed, educated, and inspired to launch two successful book promotion campaigns.
And, even if you're not a book promotion specialist -- even if you're an author or a publisher who's conducting a do-it-yourself book publicity campaign -- I'd urge you to spend some time today reading the book that you're promoting. Look for media hooks that you can immediately tie into breaking news stories. Find some gems that people will want to know about, now, and you'll give new life to your book publicity campaign tomorrow.
Nope. They're books she's going to promote.
Which brings me back to my point. Every book publicity campaign begins with reading the book. To create a media kit that will get a book promotion campaign off to a healthy start, you have to know the big messages in the book and be able to turn them into media hooks now, or when breaking news invites a tie into the big messages.
For example, let's say your book is a novel whose main character with a quirk that's mentioned a few times in the book -- she eats bananas day and night. The bananas-eating represents .00009 of the plot, but still, it's in the book. Then there's a real-life news story about how eating 12 servings of bananas a day can extend your lifespan by 5 years. What a great media hook, and what a great way to make your book publicity campaign soar! But you'll only be able to make the connection if you've read the book from cover to cover -- if, in effect, you know your bananas.
So, with two book publicity campaigns starting, I am reading both books now. I'm eager to be impressed, educated, and inspired to launch two successful book promotion campaigns.
And, even if you're not a book promotion specialist -- even if you're an author or a publisher who's conducting a do-it-yourself book publicity campaign -- I'd urge you to spend some time today reading the book that you're promoting. Look for media hooks that you can immediately tie into breaking news stories. Find some gems that people will want to know about, now, and you'll give new life to your book publicity campaign tomorrow.
Saturday, March 03, 2007
Book promotion or pizza plugging?
As a book publicist who loves homemade pizza -- don't even get me started on how much I love to bake sourdough, whole wheat, flaxseed-encrusted pizza crusts with all-vegetable toppings, because it would truly scare you -- I am mulling over Pizza Hut’s Book It program. Pizza Hut is giving kids who read books free pizzas to promote ... well, either to promote pizza, or to promote books.
The cynic in me says that Pizza Hut is more interested in Pizza Hut promotion than in book promotion, but that's just the cynic in me.
The pizza lover in me has this to say.
Pizza Hut, I'm sure your corporate heart is in the right place. But do me a favor, please. Let kids discover books. They will. Trust me.
Let them fall in love with reading. Then, once we have them reading ... you can sell them all the pizza you want. Deal?
Let's get our priorities in order. And let's try to let food be food ... and let kids just be kids.
The cynic in me says that Pizza Hut is more interested in Pizza Hut promotion than in book promotion, but that's just the cynic in me.
The pizza lover in me has this to say.
Pizza Hut, I'm sure your corporate heart is in the right place. But do me a favor, please. Let kids discover books. They will. Trust me.
Let them fall in love with reading. Then, once we have them reading ... you can sell them all the pizza you want. Deal?
Let's get our priorities in order. And let's try to let food be food ... and let kids just be kids.
Friday, March 02, 2007
Book Promotion: A Second Opinion
One of the great things about book promotion is there's no single "right" way to do it. Different book publicists have different strategies that have worked for them, and that wouldn't be of any value to me -- and vice versa. So I like to read interviews with other book publicists, or with authors and publishers who are conducting book promotion campaigns, to compare styles and successes.
I just came across an interview at Authorlink with Alan Gratz, author of a children's book called Samurai Shortstop (Dial, 2006). Please read the interview for yourself. The author is promoting his children's book, and -- because he's promoting a children's book -- his experiences are different from mine would be. (I've promoted several children's book, but my focus is on books for adults.)
Perhaps because his genre is different from the ones with which I'm most familiar as a book publicist, Gratz's strategies involve spending far more money on a print media kit than I would. For ecample, Gratz uses folders for his media kits. I would never do that because it's far more labor-intensive, and expensive, to include folders with media kits in all media mailings. Also, for me, it would be far too limiting. I'd be far more interested in sending out more media kits, and spending far less money on each of them, than in sending out fewer media kits that cost too much to be "wasted" on secondary media outlets. Also, I use ekits quite a bit. Gratz says this strategy hasn't worked for him. Again, I suspect he knows what he's talking about. Since he's promoting a children's book, his press releases may read like advertising copy for the book -- and, yes, that would be considered spam by many media outlets.
One-size-fits-all book promotion tactics do not exist. Book promotion strategies do need to be adjusted to suit the project, the stage of the project, and the preferences/proclivities/talents/schedules/budgets of those conducting the book promotion campaign.
Next time I promote a children's book, I will go back to this Authorlink interview and see how many of the tips in it might apply to the project. In the meantime...the world of adult book promotion awaits.
I just came across an interview at Authorlink with Alan Gratz, author of a children's book called Samurai Shortstop (Dial, 2006). Please read the interview for yourself. The author is promoting his children's book, and -- because he's promoting a children's book -- his experiences are different from mine would be. (I've promoted several children's book, but my focus is on books for adults.)
Perhaps because his genre is different from the ones with which I'm most familiar as a book publicist, Gratz's strategies involve spending far more money on a print media kit than I would. For ecample, Gratz uses folders for his media kits. I would never do that because it's far more labor-intensive, and expensive, to include folders with media kits in all media mailings. Also, for me, it would be far too limiting. I'd be far more interested in sending out more media kits, and spending far less money on each of them, than in sending out fewer media kits that cost too much to be "wasted" on secondary media outlets. Also, I use ekits quite a bit. Gratz says this strategy hasn't worked for him. Again, I suspect he knows what he's talking about. Since he's promoting a children's book, his press releases may read like advertising copy for the book -- and, yes, that would be considered spam by many media outlets.
One-size-fits-all book promotion tactics do not exist. Book promotion strategies do need to be adjusted to suit the project, the stage of the project, and the preferences/proclivities/talents/schedules/budgets of those conducting the book promotion campaign.
Next time I promote a children's book, I will go back to this Authorlink interview and see how many of the tips in it might apply to the project. In the meantime...the world of adult book promotion awaits.
Thursday, March 01, 2007
When Book Promotion Takes Guts
All authors want media attention, and a successful book promotion campaign is the way to get media attention. But few authors want all that media attention to cause them problems.
For Elie Wiesel, there are three pieces of good news: one, he's alive and well; two, his book, Night, was an Oprah's Book Club Selection; and three, his message of "never again" is being heard loudly and clearly by his target audience -- all of us.
Wiesel nearly didn't survive World War II because of his religion.
And he nearly didn't survive an encounter several weeks ago with one of those lunatics who claim the Holocaust never happened, and that Wiesel (and other survivors) are lying.
Wiesel's always out there in the media, and he's always pursuing book publicity as part of his mission to educate people. In fact, what made me think of it is that I just stumbled on an article that talks about another stop Wiesel is making on his never-ending book promotion tour.
At this point in his life, I'd guess that Wiesel's book promotion campaign isn't about selling books, nor is it about making money. I'd say that Wiesel's book promotion efforts are about disseminating his messages with audiences, and that he uses his books as reasons to be part of author events and author interviews.
Mr. Wiesel is my hero, because he's a reminder that book promotion sometimes isn't about "wanting to be on the Oprah show." Sometimes, book promotion is about survival, courage, and humanity.
For Elie Wiesel, there are three pieces of good news: one, he's alive and well; two, his book, Night, was an Oprah's Book Club Selection; and three, his message of "never again" is being heard loudly and clearly by his target audience -- all of us.
Wiesel nearly didn't survive World War II because of his religion.
And he nearly didn't survive an encounter several weeks ago with one of those lunatics who claim the Holocaust never happened, and that Wiesel (and other survivors) are lying.
Wiesel's always out there in the media, and he's always pursuing book publicity as part of his mission to educate people. In fact, what made me think of it is that I just stumbled on an article that talks about another stop Wiesel is making on his never-ending book promotion tour.
At this point in his life, I'd guess that Wiesel's book promotion campaign isn't about selling books, nor is it about making money. I'd say that Wiesel's book promotion efforts are about disseminating his messages with audiences, and that he uses his books as reasons to be part of author events and author interviews.
Mr. Wiesel is my hero, because he's a reminder that book promotion sometimes isn't about "wanting to be on the Oprah show." Sometimes, book promotion is about survival, courage, and humanity.
Wednesday, February 28, 2007
Book promotion for academic and professional titles
Most authors believe in the value of book promotion. Not all authors can invest their time and resources in robust book promotion campaigns, but nearly every author I've run into over the years wishes he or she could do some book promotion. It's simply very unsual for an author to care enough to write a book, and publish a book, but to not care enough to back it with a book promotion campaign.
The only exception to the rule would seem to be professional book authors and academic book authors. Their target audiences can be so specific that it would be difficult to reach them through the usual channels. Book promotion campaigns that revolve around the mass media just don't always work for these very specifically aimed books.
But even authors of professional books and academic books need to do more than publish their work and hope their intended readers find it. They need to proactively make sure their intended readers find it.
Some sort of book promotion campaign is in order. Even if those book promotion efforts don't include pitching national television shows, book review editors, and so forth, those book promotion strategies might well include writing articles for niche publications, maintaining a blog, and -- of course -- creating a book Web site that's rich with information and resources.
Book promotion campaigns do make sense for professional and academic books. Those book promotion campaigns might take a different form than book promotion campaigns for trade books, but make no mistake about it. If you want to get the word out about your book, you have to actively take all the right steps to make it happen. That's what book promotion is all about.
The only exception to the rule would seem to be professional book authors and academic book authors. Their target audiences can be so specific that it would be difficult to reach them through the usual channels. Book promotion campaigns that revolve around the mass media just don't always work for these very specifically aimed books.
But even authors of professional books and academic books need to do more than publish their work and hope their intended readers find it. They need to proactively make sure their intended readers find it.
Some sort of book promotion campaign is in order. Even if those book promotion efforts don't include pitching national television shows, book review editors, and so forth, those book promotion strategies might well include writing articles for niche publications, maintaining a blog, and -- of course -- creating a book Web site that's rich with information and resources.
Book promotion campaigns do make sense for professional and academic books. Those book promotion campaigns might take a different form than book promotion campaigns for trade books, but make no mistake about it. If you want to get the word out about your book, you have to actively take all the right steps to make it happen. That's what book promotion is all about.
Tuesday, February 27, 2007
"The Secret" to Book Promotion
One of the secrets to book promotion is to, well, write the book, "The Secret." That's what Rhonda Byrne did, and look at the result. According to a Newsweek article titled "Decoding 'The Secret,'" Byrne's book's will have an estimated 1.75 million copies projected to be in print by March 2, which will be slightly more than three months after its publicaton. Plus, Oprah Winfrey is all over it; she's already devoted two of her shows to the author and her book.
That's some secret.
What delighted me about the Newsweek article was that I saw many familiar names in it -- among them, Joe Vitale, who is a long-time client of this book publicist (and I'll be promoting his upcoming book, Zero Limits: The Secret Hawaiian System for Wealth, Health, Peace and More (Wiley and Sons).
So perhaps Byrne's secret to book promotion is that she shares the media spotlight with other authors -- and, perhaps, competing authors whom she doesn't see as competition at all but rather as others who can reinforce her perspective and help spread it to others. However Byrne is doing it, her book seems to be this decade's shining example of book promotion at its best. You go, Rhonda!
That's some secret.
What delighted me about the Newsweek article was that I saw many familiar names in it -- among them, Joe Vitale, who is a long-time client of this book publicist (and I'll be promoting his upcoming book, Zero Limits: The Secret Hawaiian System for Wealth, Health, Peace and More (Wiley and Sons).
So perhaps Byrne's secret to book promotion is that she shares the media spotlight with other authors -- and, perhaps, competing authors whom she doesn't see as competition at all but rather as others who can reinforce her perspective and help spread it to others. However Byrne is doing it, her book seems to be this decade's shining example of book promotion at its best. You go, Rhonda!
Friday, February 23, 2007
Book Promotion Arena Gets More Crowded
Your book promotion campaign just got tougher. Acording to an article in the New York Times, "Time to Throw Their Books Into the Ring," every presidential candidate has written a book and is using his or her book promotion tour to test the political waters. A presidential candidate whose book scores a lot of media attention, the reasoning goes, will get a lot of support for his or her presidential campaign. Conversely, a presidential candidate who can't kick-start a book publicity campaign might as well through in the towel politically, too.
A book promotion campaign really is rough. Authors and book publicists are not only competing with peers for interviews, book reviews, and attention from the Web. But we're also competing with Senator Barack Obama (his book is called "The Audacity of Hope," and his book "Dreams of My Father" has just been reissued), Governor Bill Richardson (author of "Between Worlds,"), Senator Hillary Rodham (her book, "It Takes a Village," is ten years old now, but still, it's getting media attention), and others.
So if you're goal isn't as lofty as, say, becoming president of the United States, and you're willing to settle for an appearance or two on a major television show, you might just succeed. But realize that you just might be competing for those coveted media interview slots against the next U.S. president. May the best candidate win.
A book promotion campaign really is rough. Authors and book publicists are not only competing with peers for interviews, book reviews, and attention from the Web. But we're also competing with Senator Barack Obama (his book is called "The Audacity of Hope," and his book "Dreams of My Father" has just been reissued), Governor Bill Richardson (author of "Between Worlds,"), Senator Hillary Rodham (her book, "It Takes a Village," is ten years old now, but still, it's getting media attention), and others.
So if you're goal isn't as lofty as, say, becoming president of the United States, and you're willing to settle for an appearance or two on a major television show, you might just succeed. But realize that you just might be competing for those coveted media interview slots against the next U.S. president. May the best candidate win.
Thursday, February 22, 2007
Book Promotion Gets Complicated
When this book publicist reads a news story that relates to book publicity twice, and feels the beginnings of a headache during her second pass through the article, one of two things is happening. Either the book publicist had too much coffee this morning, or book promotion has become more complicated.
I think it's the latter. And I hope it's the latter, because I really don't want to give up my one daily cup of coffee -- particularly, during wintertime in New England.
Here's the article that caused my head to spin. Read it along with me, and see what you make of it. Here's what I'm seeing:
One of National Public Radio's programs, "Tech Nation," will be broadcast with podcasts airing before the actual program. Each podcast will feature an interview with someone who has used a service called Blurb (Blurb.com) to publish his or her book.
But here's the thing. People who use Blurb.com to publish their books -- if I'm reading the story correctly -- aren't full-time authors or even aspiring full-time authors. They're people who might want to turn their poetry or cookbook into a handsome bound manuscript, or who might want to turn the story of their success into bound manuscripts that look good enough to present to clients and prospects.
By the way, this sent me flying to the Blurb.com site. What is it? Why haven't I heard about it? Perhaps the answer can be found in the fact that -- again, if I'm getting an accurate reading of the pricing at a quick glance -- a 201-page trade paperback would cost $44.95, before shipping. Okay, I haven't comparison shopped. Perhaps iUniverse's prices are similarly difficult to swallow, so I'm not in a position to judge Blurb.com. But I would need to see whether Blurb's books come equipped with an ISBN number, and can be posted on Amazon.com and BN.com and listed with Ingram, before I got excited enough about the service to recommend it.
Anyway, back to book publicity. NPR's "Tech Nation" seems to be saying, yes, we endorse Blurb. And we'll be glad to interview Blurb's customers. But we'll be glad to interview only Blurb's customers.
In other words, NPR is offering a new book promotion opportunity (Author interviews via podcasts aired nationally! How cool!). But NPR is offering that book publicity opportunity only to a small segment of authors. (And, unless I get an epiphany of some sort during a complete reading of the Blurb Website when I have some downtime, I'm not so sure that I would go so far as to call Blurb's customer base "authors.")
Hmm. Is this what book promotion will be, in the future? Will "Oprah" interview only Random House authors? Will "Today" offer a forum only to Penguin's writers? Will Larry King only talk with McGraw Hill people?
I guess it's possible that, one day, book publicity will become the process of matching authors who publish in specific ways with media outlets that promote only works by those particular authors. But for now, this book publicist needs a second cup of coffee. It's okay, just this once.
I think it's the latter. And I hope it's the latter, because I really don't want to give up my one daily cup of coffee -- particularly, during wintertime in New England.
Here's the article that caused my head to spin. Read it along with me, and see what you make of it. Here's what I'm seeing:
One of National Public Radio's programs, "Tech Nation," will be broadcast with podcasts airing before the actual program. Each podcast will feature an interview with someone who has used a service called Blurb (Blurb.com) to publish his or her book.
But here's the thing. People who use Blurb.com to publish their books -- if I'm reading the story correctly -- aren't full-time authors or even aspiring full-time authors. They're people who might want to turn their poetry or cookbook into a handsome bound manuscript, or who might want to turn the story of their success into bound manuscripts that look good enough to present to clients and prospects.
By the way, this sent me flying to the Blurb.com site. What is it? Why haven't I heard about it? Perhaps the answer can be found in the fact that -- again, if I'm getting an accurate reading of the pricing at a quick glance -- a 201-page trade paperback would cost $44.95, before shipping. Okay, I haven't comparison shopped. Perhaps iUniverse's prices are similarly difficult to swallow, so I'm not in a position to judge Blurb.com. But I would need to see whether Blurb's books come equipped with an ISBN number, and can be posted on Amazon.com and BN.com and listed with Ingram, before I got excited enough about the service to recommend it.
Anyway, back to book publicity. NPR's "Tech Nation" seems to be saying, yes, we endorse Blurb. And we'll be glad to interview Blurb's customers. But we'll be glad to interview only Blurb's customers.
In other words, NPR is offering a new book promotion opportunity (Author interviews via podcasts aired nationally! How cool!). But NPR is offering that book publicity opportunity only to a small segment of authors. (And, unless I get an epiphany of some sort during a complete reading of the Blurb Website when I have some downtime, I'm not so sure that I would go so far as to call Blurb's customer base "authors.")
Hmm. Is this what book promotion will be, in the future? Will "Oprah" interview only Random House authors? Will "Today" offer a forum only to Penguin's writers? Will Larry King only talk with McGraw Hill people?
I guess it's possible that, one day, book publicity will become the process of matching authors who publish in specific ways with media outlets that promote only works by those particular authors. But for now, this book publicist needs a second cup of coffee. It's okay, just this once.
Wednesday, February 21, 2007
The Easy Path to Promoting a Children's Book
Book promotion requires creativity, enthusiasm, persistance, and elbow grease -- ordinarily. For authors who are interested in book publicity but don't feel like rolling up their sleeves and getting to work on a book promotion campaign, there's an alternative -- particularly, if you are a children's book author.
Plant the "s-word" in your children's book, and book promotion will follow.
That's not the course I'd recommend, because I happen to think children should be sheltered from clinical terms that refer to body parts during reading time. (Don't get me wrong. I'm not against sharing clinical terms that refer to body parts during other times of the day. Just, please, let's apare small children who are settling down for their naps.)
To see all the fuss that the "s-word" can create in a children's book, and all the book promotion potential of using such a word, click here.
Sort of makes you want to kick yourself, doesn't it? Here you are, actually working for your book publicity opportunities. And along comes a children's book author, Susan Patron, who happens onto the idea of using the word "scrotum" in her children's book, and -- wham! -- she creates instead book promotion and buzz for her title.
I'll bet you wish you had thought of it.
Plant the "s-word" in your children's book, and book promotion will follow.
That's not the course I'd recommend, because I happen to think children should be sheltered from clinical terms that refer to body parts during reading time. (Don't get me wrong. I'm not against sharing clinical terms that refer to body parts during other times of the day. Just, please, let's apare small children who are settling down for their naps.)
To see all the fuss that the "s-word" can create in a children's book, and all the book promotion potential of using such a word, click here.
Sort of makes you want to kick yourself, doesn't it? Here you are, actually working for your book publicity opportunities. And along comes a children's book author, Susan Patron, who happens onto the idea of using the word "scrotum" in her children's book, and -- wham! -- she creates instead book promotion and buzz for her title.
I'll bet you wish you had thought of it.
Tuesday, February 20, 2007
Domains: the Latest Book Promotion Problem.
As you may know, I'm always preaching the value of book Web sites. My mantra is: grab the URL as soon as you come up with your book title. In fact, grab the .net while you're at it (you won't need it, but it would be a lousy feeling to watch someone else grabbed "your" .net while you weren't looking).
That said, I own a lot of domain names. I probably own too many domain names, most of which I'll never use and many of which I don't even recall buying. I have a few URLS that I use, and they mean something to my business, and I need them. And I need for there to be no confusion about them.
But here's a new problem. Did you know that it's possible for someone to buy a URL, own it for a few days, and then just drop that URL and evaporate into thin air? I've just read an article about the possibilities for abuse at MSNBC ("Entrepreneurs profit from free Web names: Five-day grace period allows for ‘tasting’ before buying URLs").
The legitimate reason for the service was this. Let's say you meant to buy "bookpr.com," but a typo caused you to buy "bookspr.com" instead. With the five-day grace period, you can undo your purchase of "bookspr.com" and buy "bookpr.com" instead, as you had intended.
As with most things related to the Net, every offering seems to bring ill-intentioned people out of the woodwork. The five-day grace period for URLs seems to have inspired a whole crop of cybersquatters who buy as many misspellings as they can think of, put up a site that damages the original site, and then vanishes into thin air before anyone can be sued for damages. The example the article sites is "NeimuMarcus.com," which someone bought and used to advertise Neiman Marcus's competitors (Target, Nordstrom, and so forth). Neiman Marcus could have chosen to place an ad on that site back to its own Web site, but the company didn't think it should have to ... and I agree.
If you have a book that's selling very well, and your book promotion campaign is in full swing -- and you're lucky enough to have secured the book's title as your URL -- why should you let a URL speculator grab a misspelling of that domain and, perhaps, profit by it?
So here's my new recommendation. When you're buying your domain, be sure to grab any misspellings you can think of at the same time. It's not a huge monetary investment, and what you're buying is peace of mind. At least you'll know that your book's Web site won't fall prey to this new breed of cybersquatters -- or, at least, they'll have to work a whole lot harder at tricking your readers to go to their sites instead.
That said, I own a lot of domain names. I probably own too many domain names, most of which I'll never use and many of which I don't even recall buying. I have a few URLS that I use, and they mean something to my business, and I need them. And I need for there to be no confusion about them.
But here's a new problem. Did you know that it's possible for someone to buy a URL, own it for a few days, and then just drop that URL and evaporate into thin air? I've just read an article about the possibilities for abuse at MSNBC ("Entrepreneurs profit from free Web names: Five-day grace period allows for ‘tasting’ before buying URLs").
The legitimate reason for the service was this. Let's say you meant to buy "bookpr.com," but a typo caused you to buy "bookspr.com" instead. With the five-day grace period, you can undo your purchase of "bookspr.com" and buy "bookpr.com" instead, as you had intended.
As with most things related to the Net, every offering seems to bring ill-intentioned people out of the woodwork. The five-day grace period for URLs seems to have inspired a whole crop of cybersquatters who buy as many misspellings as they can think of, put up a site that damages the original site, and then vanishes into thin air before anyone can be sued for damages. The example the article sites is "NeimuMarcus.com," which someone bought and used to advertise Neiman Marcus's competitors (Target, Nordstrom, and so forth). Neiman Marcus could have chosen to place an ad on that site back to its own Web site, but the company didn't think it should have to ... and I agree.
If you have a book that's selling very well, and your book promotion campaign is in full swing -- and you're lucky enough to have secured the book's title as your URL -- why should you let a URL speculator grab a misspelling of that domain and, perhaps, profit by it?
So here's my new recommendation. When you're buying your domain, be sure to grab any misspellings you can think of at the same time. It's not a huge monetary investment, and what you're buying is peace of mind. At least you'll know that your book's Web site won't fall prey to this new breed of cybersquatters -- or, at least, they'll have to work a whole lot harder at tricking your readers to go to their sites instead.
Monday, February 19, 2007
Book Promotion Can Be Fun--Even for the Reluctant
Would anyone like to switch places with "Pip," whose February 18, 2007 Type M for Murder blog entry cites this response to the publisher's book promotion efforts: "...varying degrees of terror/success – but mostly terror...."
Book promotion doesn't have to incite terror. Book publicity can, in fact, be the reward for having written and published your book.
Well, I can understand that not everyone enjoys the "media frenzy" that comes along with a successful book promotion campaign. The limelight is not necessarily what writers have in mind when they spend 50 weeks a year writing, alone, and enjoying the solitude as much as the creative process.
I know that everyone says "I want to jump-start my book promotion campaign. Tell me how I can do that." But, when it comes down to it, some authors find book promotion to be rather terrifying. Pip is just one example of an author who's honest about it.
Pip writes, "Any suggestions about how to deal with all this with grace, charm and the minimum of terror would be gratefully accepted." Okay, Pip. Here are a couple of suggestions to get you started.
First, tell your book publicist that your telephone is in perfect working order, and that you're interested in using it. You do not need to be "wheeled out" to appear on radio shows. Your book publicist can arrange telephone interviews instead that you can do from your home or office (just be sure to have a land line and a quiet place for your interview, and use a telephone line that does not have call waiting on it). Think of how much more relaxed you'll be when you're in a "safe space" wearing comfortable clothes, and all you have to focus on is the voice on the other end of the telephone.
Second, expect the worst from interviewers (although you're free to hope for the best). Expect them to be too tired to be lucid. (Or expect them to be too revved up on, um, coffee, to hold a decent conversation.) Expect them to be incapable of listening to you. Expect them to know nothing about your background or your book or your Web site. Shoot -- expect them to know nothing about any author, or any book, or any Web site. And expect them to think that the confrontational interview is hugely entertaining, whether your book is about politics, abortion, gun control, or how bake fat-free cookies.
Seriously, don't expect your interviews to go well because the interviewers know what they're doing. Expect your interviews to go well because you know what you're doing. Prepare questions ahead of time, and ask your book publicist to add them to the media kit. These suggested interview questions will serve as guidelines for well-meaning interviewers. And even when interviewers aren't well-intentioned, your suggested interview questions will at least help you remember what it is that you want to talk about. Then, when the interview's questions or comments start to get silly, you can respond to the silly question or comments by bridging back to one of the questions on your list. "Indeed, there are a lot of tractors on the road around here. And, just as importantly, why do you suppose this candidate has the upper hand right now? I'll tell you, it's because...."
In other words, be prepared to guide all of your interviews into the areas that matter to you. If the interviewer helps you do that, great. If not, then take control of the interview without being obnoxious or belligerent, and take the conversation where you need for it to go.
And about that feeling of terror...see whether you can turn that rush of adrenaline into something positive. It's always a good thing to be pumped up for interviews, and to be humble enough to prepare for every interview. Remember that book promotion has a purpose. Every interview provides you with an opportunity to showcase your expertise, disseminate your messages, and win new friends and admirers.
Your book publicist wants to hear some excitement from you when he or she schedules interviews, so see whether you can feel some of that. Try it. Book Promotion can be fun, if you'll let it.
Book promotion doesn't have to incite terror. Book publicity can, in fact, be the reward for having written and published your book.
Well, I can understand that not everyone enjoys the "media frenzy" that comes along with a successful book promotion campaign. The limelight is not necessarily what writers have in mind when they spend 50 weeks a year writing, alone, and enjoying the solitude as much as the creative process.
I know that everyone says "I want to jump-start my book promotion campaign. Tell me how I can do that." But, when it comes down to it, some authors find book promotion to be rather terrifying. Pip is just one example of an author who's honest about it.
Pip writes, "Any suggestions about how to deal with all this with grace, charm and the minimum of terror would be gratefully accepted." Okay, Pip. Here are a couple of suggestions to get you started.
First, tell your book publicist that your telephone is in perfect working order, and that you're interested in using it. You do not need to be "wheeled out" to appear on radio shows. Your book publicist can arrange telephone interviews instead that you can do from your home or office (just be sure to have a land line and a quiet place for your interview, and use a telephone line that does not have call waiting on it). Think of how much more relaxed you'll be when you're in a "safe space" wearing comfortable clothes, and all you have to focus on is the voice on the other end of the telephone.
Second, expect the worst from interviewers (although you're free to hope for the best). Expect them to be too tired to be lucid. (Or expect them to be too revved up on, um, coffee, to hold a decent conversation.) Expect them to be incapable of listening to you. Expect them to know nothing about your background or your book or your Web site. Shoot -- expect them to know nothing about any author, or any book, or any Web site. And expect them to think that the confrontational interview is hugely entertaining, whether your book is about politics, abortion, gun control, or how bake fat-free cookies.
Seriously, don't expect your interviews to go well because the interviewers know what they're doing. Expect your interviews to go well because you know what you're doing. Prepare questions ahead of time, and ask your book publicist to add them to the media kit. These suggested interview questions will serve as guidelines for well-meaning interviewers. And even when interviewers aren't well-intentioned, your suggested interview questions will at least help you remember what it is that you want to talk about. Then, when the interview's questions or comments start to get silly, you can respond to the silly question or comments by bridging back to one of the questions on your list. "Indeed, there are a lot of tractors on the road around here. And, just as importantly, why do you suppose this candidate has the upper hand right now? I'll tell you, it's because...."
In other words, be prepared to guide all of your interviews into the areas that matter to you. If the interviewer helps you do that, great. If not, then take control of the interview without being obnoxious or belligerent, and take the conversation where you need for it to go.
And about that feeling of terror...see whether you can turn that rush of adrenaline into something positive. It's always a good thing to be pumped up for interviews, and to be humble enough to prepare for every interview. Remember that book promotion has a purpose. Every interview provides you with an opportunity to showcase your expertise, disseminate your messages, and win new friends and admirers.
Your book publicist wants to hear some excitement from you when he or she schedules interviews, so see whether you can feel some of that. Try it. Book Promotion can be fun, if you'll let it.
Friday, February 16, 2007
Book Reviews Are Only One Book Promotion Possibility.
Book reviews are only one book promotion possibility, and they're the book promotion strategy least likely to be successful.
It always confuses authors when I tell them that, to get their book into the print media, they must think beyond book reviews. For so many people, book reviews are the only worthwhile reason to approach the print media. Sometimes, authors feel that book reviews are the only reason to even approach the media. No book reviews, no happiness. It's even tougher when authors have their hearts set on a particular publication's book review editor and, even after garnering other book reviews, come back and say, "I simply don't understand why publication A didn't review my book. Did you remember to contact the book editor there, or did you drop the ball? Would it be worthwhile if I contact the book editor myself?"
And it's hard to convince these authors that book reviewers usually say "no" to books. They have to. They have a lot of books on their desks, and it's their job to select a handful of books to review or to assign for review. It is not their job to review every book that is sent to them.
There are tricks to finding book promotion opportunities in the print media beyond trying to garner book reviews. You can pitch yourself as an expert to beat editors. You can write an article and pitch it to the editor, and ask that the attribution include your book title. You can also write an op-ed piece and submit it with the same request.
And, certainly, do approach book review editors while bearing in mind that many of them cannot review books that have already been published. If you have the lead time that the larger publications require, and perhaps if you have available advance reader copies or galleys, then sure -- send them off to book review editors, and hope for the best.
But expect to continue your book promotion efforts long after the window of opportunity to get book reviews has closed. There are so many ways to go after book promotion in newspapers and magazines ... keep an open mind to all of them, and don't focus all of your energies on book reviewers who might just be the most overwhelmed employees at the publications that matter most to you.
It always confuses authors when I tell them that, to get their book into the print media, they must think beyond book reviews. For so many people, book reviews are the only worthwhile reason to approach the print media. Sometimes, authors feel that book reviews are the only reason to even approach the media. No book reviews, no happiness. It's even tougher when authors have their hearts set on a particular publication's book review editor and, even after garnering other book reviews, come back and say, "I simply don't understand why publication A didn't review my book. Did you remember to contact the book editor there, or did you drop the ball? Would it be worthwhile if I contact the book editor myself?"
And it's hard to convince these authors that book reviewers usually say "no" to books. They have to. They have a lot of books on their desks, and it's their job to select a handful of books to review or to assign for review. It is not their job to review every book that is sent to them.
There are tricks to finding book promotion opportunities in the print media beyond trying to garner book reviews. You can pitch yourself as an expert to beat editors. You can write an article and pitch it to the editor, and ask that the attribution include your book title. You can also write an op-ed piece and submit it with the same request.
And, certainly, do approach book review editors while bearing in mind that many of them cannot review books that have already been published. If you have the lead time that the larger publications require, and perhaps if you have available advance reader copies or galleys, then sure -- send them off to book review editors, and hope for the best.
But expect to continue your book promotion efforts long after the window of opportunity to get book reviews has closed. There are so many ways to go after book promotion in newspapers and magazines ... keep an open mind to all of them, and don't focus all of your energies on book reviewers who might just be the most overwhelmed employees at the publications that matter most to you.
Tuesday, February 06, 2007
A book publicist's perspective on getting published.
Sometimes, during a book promotion campaign, I run across an editor with a couple of manuscripts in the closet who takes a deep breath for courage and then asks, "are you by any chance a literary agent as well as a book publicist?"
I always take the time to offer my thoughts to anyone who wants advice on how to get published. In a nutshell, my advice is: don't.
Maybe my point of view will be clearer if I offer part of the emailed response I sent to an editor this morning:
Although I'm not a literary agent, I can refer you to the Association of Authors' Representatives. You can find them online at http://www.aar-online.org/. An agent would certainly be interested in working with your titles, particularly, if you emphasize your credentials (someone with a 35-year background in journalism would have to taken seriously by an agent).
However, my particular bias is against waiting to "be published" and to self publish. I encounter a stigma from the media not toward self-published books in general but specifically toward books that are published by a print-on-demand press (that is, iUniverse, xlibris, PublishAmerica, and so on). When authors set up their own imprint, and create their own track records in terms of quality and content -- and if they get distribution, which is easy to do when they sign up with online bookstores in addition to using a printer that is part of Ingram and which is called Lightning Source (they're based in Tennessee, and you can find them online at http://www.lightningsource.com) -- then their works are on a level playing field with those published by major houses. In fact, their books are perhaps in an even better position because self-published authors don't get tired of their books in a month or two, and they stick with them, and promote them, and that effort can pay off over the long term. There are gazillions of self-published books out there, and it's a competitive arena -- but, from where I'm sitting, it surely beats passively waiting for a literary agent to sell the book to a publishing company. Self-publishing sounds difficult and overwhelming, and it brings to mind the world of vanity publishing, but that is not what it is at all, and that's not how it's perceived. The new technologies that are available to us all have changed the landscape of publishing, for the better, I believe.
Anyway, I hope this information helps a bit. Do check out the resources I've mentioned, and let me know what you decide to do...
Agree or disagree, that's my position on "waiting to get published." As you can tell, this book publicist doesn't appreciate having to "wait" for anything. She's committed to being proactive, whenever possible, and to getting results!
I always take the time to offer my thoughts to anyone who wants advice on how to get published. In a nutshell, my advice is: don't.
Maybe my point of view will be clearer if I offer part of the emailed response I sent to an editor this morning:
Although I'm not a literary agent, I can refer you to the Association of Authors' Representatives. You can find them online at http://www.aar-online.org/. An agent would certainly be interested in working with your titles, particularly, if you emphasize your credentials (someone with a 35-year background in journalism would have to taken seriously by an agent).
However, my particular bias is against waiting to "be published" and to self publish. I encounter a stigma from the media not toward self-published books in general but specifically toward books that are published by a print-on-demand press (that is, iUniverse, xlibris, PublishAmerica, and so on). When authors set up their own imprint, and create their own track records in terms of quality and content -- and if they get distribution, which is easy to do when they sign up with online bookstores in addition to using a printer that is part of Ingram and which is called Lightning Source (they're based in Tennessee, and you can find them online at http://www.lightningsource.com) -- then their works are on a level playing field with those published by major houses. In fact, their books are perhaps in an even better position because self-published authors don't get tired of their books in a month or two, and they stick with them, and promote them, and that effort can pay off over the long term. There are gazillions of self-published books out there, and it's a competitive arena -- but, from where I'm sitting, it surely beats passively waiting for a literary agent to sell the book to a publishing company. Self-publishing sounds difficult and overwhelming, and it brings to mind the world of vanity publishing, but that is not what it is at all, and that's not how it's perceived. The new technologies that are available to us all have changed the landscape of publishing, for the better, I believe.
Anyway, I hope this information helps a bit. Do check out the resources I've mentioned, and let me know what you decide to do...
Agree or disagree, that's my position on "waiting to get published." As you can tell, this book publicist doesn't appreciate having to "wait" for anything. She's committed to being proactive, whenever possible, and to getting results!
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