A book promotion opportunity from PW Select

Here's a book promotion opportunity for self-published authors that I don't necessarily endorse. But, as a book publicist, I do feel obligated to share it.

It's PW Select, and it seems to be an opportunity for self-published books to share the limelight with traditionally published books -- in Publishers Weekly, no less.

It sounds good, except that when you read the fine print, you discover that -- for self-published authors to take advantage of this book promotion opportunity, they have to pay $149. This fee entitles self-publishers to a listing that will appear in a supplement of Publishers Weekly and in an online database. PW promises that at least 25 of the self-published books they receive will receive a full review, all for that one low price of $149.

Wait a minute. Did PW say it would charge self publishers $149 for a listing and for the possibility of a full review? Hmmm. Since PW isn't offering that deal to traditional publishers, whose books are considered for review without a $149 fee, I'm somehow not excited about the book promotion opportunity that PW is offering self publishers.

It's not that a review in Publishers Weekly wouldn't be worth paying for. It's just that, ironically, if you have to pay for a review ... it isn't worth the paper it's printed on (most of the time -- there are a few exceptions to this rule), as far as this book publicist is concerned.

Feeling bad about providing a book promotion opportunity?

I just came across a wonderful blog entry by Laurie Gold who provides book reviews for Publishers Weekly called "The Painful Side of Reviewing." In it, Gold reveals that the painful side of writing a negative book review isn't having to read a bad book. Rather, it's having to hurt an author's (and a publisher's) feelings.

Yes, Laurie, you're right. Authors (like all of us) have fragile egos and would rather be praised than criticized. And yet ... the one thing that authors like even better than to have their egos stoked is to have Publishers Weekly -- or any influential print or online media outlet -- acknowledge their books with reviews.

Negative criticism can hurt an author's feelings, indeed. But any author who's granted the book promotion opportunity that a book review, good or bad, provides is far less hurt than the majority of authors out there whose books stand little, or no, chance of garnering major book reviews.

Any book review is probably better than no book review at all, just as -- to paraphrase the old saying -- any book promotion is good book promotion.

Here's how the Internet really affects book promotion.

Some days, the Internet overwhelms me. Its offerings become just so much background noise, and I can't wait to click away from Twitter, Facebook, and other Web 2.0 offerings so I can get back to work.

At other times, I appreciate the democracy of the Internet and, particularly, its chief benefit for those of us who care about book promotion opportunities: if the traditional media outlets are finding your book underwhelming, and they're not offering to interview you, then who care? You can broadcast your own interview online directly to your target audience, and given that, who needs an interview opportunity on someone else's traditional media outlet to promote a book?

A Publishers Weekly article of yesterday talks about a three-channel online network called "From the Publisher’s Office" that Penguin has just launched.

It will provide instant book promotion opportunities for Penguin’s authors. Also, because of the Penguin name, the site presumably will attract a huge audience. Penguin won't have to work hard to bring visitors to "From the Publisher's Office."

For the rest of us, developing Web 2.0 book promotion opportunities will be a bit more challenging. First, budget will be a factor. Even now, when publishing companies are feeling the economic (and technological) pinch, I presume it's still easier for Penguin to come up with a couple hundred thousand grand for Web site development than it would be for most of my clients. Second, whereas Penguin as a built-in Web 2.0 audience, most independent publishers and authors will have to work on bringing their targeted readers to their online offerings.

The latter can be done -- that's what book publicists and social networking experts are for (and many book publicists are quickly become social networking experts as well -- those who are behind the curve will quickly have to catch up, or I'm not sure what they'll be doing to earn their keep in the months ahead). The former -- raising the funds to develop Web 2.0 offerings -- can be trickier. But then again, there are already out-of-the-box solutions (BlogRadio comes to mind, and there are many others), and there will likely be many more of those to come. Using someone else's platform and, in essence, tapping into someone else's audience is an imperfect solution, but it is a solution...in the same way that print-on-demand publishing isn't quite going to eclipse getting a publishing contract from Penguin, although it can come close.

The opportunity to use the Internet -- and, specifically, Web 2.0 -- to create book promotion coverage is already there. Down the road, most of the barriers to entry will be lifted, and the benefits of participating in online book promotion campaigns will be evident to us all.

Could a Skype-driven book tour work for your book promotion campaign?

Could a Skype-driven book tour work for you? Maybe, at some point in the not-so-distant future, it could.

If you're currently setting up signings, speaking engagements, and other events at bookstores as part of your book promotion campaign, then you might want to check out Publishers Weekly's article, "Visiting Bookstores Virtually." The article describes an experiment that Random House is trying with two of its children's book authors: Jerry Spinelli and Libba Bray.

Random House arranged for its authors to participate in Skype phone calls to bookstores, and the selected bookstores arranged for children to be part of the calls. The lucky kids had a chance to visit with the authors, virtually, as pets and other family members wandered into their home offices. And the authors didn't have to pack their suitcases and travel from one city to another to meet their fans.

The bookstores took a risk, because this is the first time they've used Skype in place of having an author actually appear, in person, to talk with an audience. Who knew, ahead of time, whether the technology would work, or -- even if it did -- whether it could keep an audience of young people entertained? And, for authors, it took a leap of faith to look squarely at a Web cam and trust that, somehow, they were connecting with their fans.

But, according to the PW article, it worked. Then again, as the article points out, both of these authors have a huge fan base. They were also playing to an audience that's excited by Web cams and Skype -- rather than a group of adults who could very well be turned off, or intimidated, by it.

So will you be participating in a Skype-driven book signing in the next week or two? No, probably not. But a year or so down the road . . . who knows? Things change so quickly in the world of book promotion that, some day soon, it might make perfect sense to trade in your plans for a traditional bookstore tour for a virtual one. You might find, as these pioneering authors did, that a Skype book tour provides even more opportunities than a standard book tour to foster intimacy and connections with your readers . . . and you might find yourself trading in traditional book tours for Skype-driven book tours for good.

So...Scribd has opened an online store.

Good for Scribd. Far more interesting to this book publicist, though, was the fact that I read about Scribd's new ecommerce venture in no fewer than three major media outlets today: Publishers Weekly , the Washington Post, and the New York Times.

Jeez. I care only marginally about the fact that Scribd will now charge readers for digital content (books, magazines, newspapers, research reports, etc.), and 80% of the proceeds will go directly to the contents' publishers. (Scribd's service will only be as impressive as its content, and I haven't had a chance yet to check out the site -- I'll reserve judgment until I have).

But I am blown away by the amount, and the quality, of media exposure that Scribd's new ecommerce venture has received. Imagine if, in the midst of your book promotion campaign, your work was featured in PW, the Post, and the NY Times on the same day? My goodness! That would be an accomplishment, for certain!

Return to Book Promotion Mountain

Publishers Weekly recently covered an odd item that I thought I'd share. But first: a riddle. What's (arguably) the best book promotion opportunity imaginable? Answer: a movie.

If a movie based on a book actually makes it into theaters -- which, of course, is a long, long way from selling rights to a film company -- then millions of film-goers learn about your book and, potentially, become book buyers. Right?

Right. Except when the book's publisher goes belly-up before the movie's release, and the book is out of print.

Believe it or not, that's what happened with Disney's new movie, "Race to Witch Mountain." You may remember Paris Hilton's aunt, Kim Richards, who played a child named Tia in the vintage (well, 1970s) movie "Escape to Witch Mountain" and its sequels. That Witch Mountain series was based on a book (unbeknownst to me until now -- and, yes, shame on me for missing this!) called Escape to Witch Mountain that was written by Alexander Key and was published by Westminster Press in 1968. Westminster Press, alas, is no longer among the publishers of this world, and the book was out of print -- groan! -- when Disney released "Race to Witch Mountain."

So here comes the best book promotion opportunity imaginable . . . and the book that could reap the substantially rewards is out of print.

Enter Sourcebooks which bought the rights to the book, Escape to Witch Mountain, and will launch a paperback version of the book at the same time as Disney releases its "Race to Witch Mountain" DVD. No one knows (or, at least, the folks at PW don't know) when that will be.

But . . . at least the book that inspired the movies will be back in print, and at least Sourcebooks and readers -- and, I hope, either Alexander Rey himself or his estate (I couldn't turn up any biographical information on Mr. Rey during a quick online search, although it looks as though another of his books, The Forgotten Door, was published as recently as 1988) -- can benefit from the return of the Witch Mountain fervor.

Ah, 1970s-era Disney movies. Kim Richards, Ike Eisenmann, Eddie Albert, Bill Bixby, Jodie Foster, Don Knotts . . . don't get me going on film nostalgia this Friday morning. Just don't.